{"id":2061,"date":"2021-04-30T08:15:29","date_gmt":"2021-04-30T06:15:29","guid":{"rendered":"http:\/\/saptamina.md\/?p=2061"},"modified":"2021-04-30T08:15:29","modified_gmt":"2021-04-30T06:15:29","slug":"linii-de-subiect-scurt-si-lungmetrajul-familiei-vatamanu-margineanu","status":"publish","type":"post","link":"https:\/\/saptamana.md\/index.php\/2021\/04\/30\/linii-de-subiect-scurt-si-lungmetrajul-familiei-vatamanu-margineanu\/","title":{"rendered":"Linii de subiect. Scurt \u0219i lungmetrajul familiei Vatamanu-M\u0103rgineanu"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Disear\u0103,\u00a0 la Moldova 2, la 8 \u0219i un sfert, va fi proiectat filmul documentar \u00abDor de Ion Vatamanu\u00bb, \u00een regia Leontinei Vatamanu. Ne amintim de Vatamanu, pentru c\u0103, pe 1 mai 1937, s-a n\u0103scut poetul, deputatul \u0219i chimistul, un cockteil intelectual unic \u00een felul s\u0103u. \u00abDor de Ion Vatamanu\u00bb este un scurtmetraj, dar at\u00eet de lung ca intensitate, tr\u0103ire \u0219i \u00eembl\u00eenzire a cuvintelor! Exact ceea ce a f\u0103cut toat\u0103 via\u021ba Vatamanu &#8211; \u00a0s-a jucat cu ni\u0219te cuvinte, a luptat donquijote\u0219te cu cele str\u00eembe, cl\u0103dind proiecte de legi, imagini poetice, prezente \u00een tot \u0219i \u00een toate, \u00een Parlament, la Uniunea Scriitorilor, \u00een familie \u0219i la pescuit.<\/p>\n<p>&nbsp;<\/p>\n<p>Iar asear\u0103, la aceea\u0219i televiziune Moldova 2, s-a vorbit mult despre documentarul \u201eSiberia din oase\u201d, probabil a\u021bi auzit de el, dar \u00eenc\u0103 nu l-a\u021bi v\u0103zut.\u00a0 Nu-l c\u0103uta\u021bi pe net, pentru c\u0103 nu-l ve\u021bi g\u0103si. Este o regul\u0103 interna\u021bional acceptat\u0103: at\u00eeta timp c\u00eet este purtat \u0219i prezentat la festivaluri, filmul nu poate fi difuzat pe platforme de audien\u021b\u0103 larg\u0103. \u00cen schimb, putem vorbi \u0219i povesti c\u00eet \u00eencape despre istoria lui cinematografic\u0103,\u00a0 mai cu seam\u0103 despre oamenii care l-au \u00eencununat cu imagina\u021bie, cu \u00eenc\u0103rc\u0103tur\u0103 realist\u0103, dar \u0219i cu dramatism, p\u00een\u0103 la noduri \u00een g\u00eet \u0219i pielea g\u0103inii pe m\u00eeini.<\/p>\n<p>A\u0219adar,\u201eSiberia din oase\u201d, un titlu care deja presupune seism istoric, tensiune \u0219i zguduire uman\u0103, succesiune de imagini \u0219i sunet care sugereaz\u0103 din start linia de subiect, Siberia pentru noi \u00eensemn\u00eend frig, fric\u0103 \u0219i un continent de nedreptate. Mai mult dec\u00eet nedreptate, un horror social.\u00a0 Toate acestea orchestrate cinematografic de c\u0103tre Leontina Vatamanu-M\u0103rgineanu. Vatamanu &#8211; de la Ion Vatamanu, dat fiind c\u0103 \u00een CV-ul talentatei regizoare \u00a0g\u0103sim c\u0103 este mezina poetului; M\u0103rgineanu \u2013 dat fiind faptul c\u0103 este so\u021bia lui Virgil M\u0103rgineanu, cunoscut director \u0219i de\u021bin\u0103tor de \u0219tampil\u0103 OWH Studio. Fire\u0219te, a muncit o echip\u0103, \u0219i-au adus contribu\u021bia ni\u0219te istorici cu renume, au fost exploatate ni\u0219te tehnologii, dar\u00a0 arhitectul conceptului \u00een ansamblu a fost totu\u0219i Leontina, cea care, de la al treilea cadru, \u0219tia deja cum va ar\u0103ta \u00a0ultimul cadru. A croit, la \u00eenceput \u00een minte, patru pove\u0219ti, apropo, adev\u0103rate, despre tragedia deport\u0103rilor staliniste, una dintre protagoniste fiind chiar mama regizoarei, so\u021bia regretatului Ion Vatamanu, distinsa doamn\u0103 Elena Vatamanu. Nimic \u00eent\u00eempl\u0103tor pe lumea aceasta, pentru c\u0103 tat\u0103l doamnei, deci bunicul Leontinei, tot \u00een Siberia s-a pr\u0103p\u0103dit, deportat \u0219i el \u00eempreun\u0103 cu ai s\u0103i \u00a0\u00een \u201d41.<\/p>\n<p>Prin urmare, a fost \u0219i o vibra\u021bie personal\u0103 fa\u021b\u0103 de subiectul ca atare, poate e prea \u00eenflorit\u0103 expresia, dar e un strig\u0103t personalizat de durere \u0219i revolt\u0103 prin care a trecut aceast\u0103 familie, dar \u0219i alte c\u00eeteva zeci de mii de familii din Moldova.<\/p>\n<p>De cur\u00eend, \u00eentr-un interviu pentru Europa Liber\u0103, Leontina ne scoate din s\u0103rite \u0219i ne-mpinge spre ni\u0219te g\u00eenduri total ie\u0219ite din comun, prin cruzimea unor situa\u021bii tr\u0103ite, nu de noi, dar de ai no\u0219tri: \u00abEu cred c\u0103 cele mai odioase regimuri s\u00eent cele care supun copiii unor brutalit\u0103\u021bi \u0219i unor violen\u021be \u0219i extermin\u0103rii \u2013 s\u0103 spunem a\u0219a cum a fost. Copiii ace\u0219tia nu aveau absolut nici o vin\u0103, nu aveau nici o vin\u0103 c\u0103 s-au n\u0103scut \u00een anumite familii, nu aveau nici o vin\u0103 ca s\u0103 fie trezi\u021bi din somn, ridica\u021bi \u0219i \u00eenc\u0103rca\u021bi \u00een aceste vagoane. Deci, acest regim nu a g\u0103sit nici o modalitate s\u0103 dea cumva cel pu\u021bin copiii laoparte, chiar dac\u0103 voiau s\u0103 se r\u0103zbune pe a\u0219a-numi\u021bii \u201edu\u0219mani ai puterii sovietice.\u201d<\/p>\n<p>Aceea\u0219i regizoare, la aceea\u0219i tem\u0103: \u00abEste o ru\u015fine \u015fi un p\u0103cat s\u0103 trecem sub t\u0103cere aceast\u0103 dram\u0103 a poporului nostru, acest genocid care a st\u00eerpit floarea na\u0163iunii \u015fi a zdruncinat at\u00eetea destine, inclusiv copil\u0103ria mamei mele. A\u015f vrea s\u0103 r\u0103scolesc un pic trecutul \u015fi s\u0103-l reconstitui prin pove\u015ftile celor care s\u00eent m\u0103rturia vie a acelor evenimente. C\u00eet mai s\u00eent printre noi, c\u0103ci s-ar putea ca peste c\u00ee\u0163iva ani s\u0103 fie deja prea t\u00eerziu.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>P.S. Leontina Vatamanu-M\u0103rgineanu deja are oper\u0103. A realizat 15 filme documentare, \u00eentre care \u00abSiberia din oase\u00bb, \u201eSatul din oglind\u0103\u201d, \u201eLa Dolce Vita\u201d, \u201eMunca copilului \u00een Moldova\u201d, \u201eDor de Ion Vatamanu\u201d, \u201eDin America pentru Moldova\u201d, \u201eS\u00eent din Moldova, caut de lucru\u201d \u015f.a.). La toate acestea ad\u0103ug\u0103m circa 100 de emisiuni televizate. Este laureat\u0103 a mai multor festivaluri interna\u0163ionale de filme documentare.<\/p>\n<p>Stan LIPCANU (S\u0103pt\u0103m\u00eena)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Disear\u0103,\u00a0 la Moldova 2, la 8 \u0219i un sfert, va fi proiectat filmul documentar&#8230;<\/p>\n","protected":false},"author":4,"featured_media":2062,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"featured_image_urls":{"full":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"thumbnail":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina-150x150.png",150,150,true],"medium":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina-300x168.png",300,168,true],"medium_large":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"large":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"1536x1536":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"2048x2048":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"covernews-slider-full":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"covernews-slider-center":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"covernews-featured":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"covernews-medium":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina.png",512,287,false],"covernews-medium-square":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/04\/leontina-400x250.png",400,250,true]},"author_info":{"display_name":"Lipcanu Stan","author_link":"https:\/\/saptamana.md\/index.php\/author\/lipcanu-stan\/"},"category_info":"<a href=\"https:\/\/saptamana.md\/index.php\/category\/omul-saptaminii\/\" rel=\"category tag\">Omul s\u0103pt\u0103m\u00eenii<\/a>","tag_info":"Omul s\u0103pt\u0103m\u00eenii","comment_count":"0","_links":{"self":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts\/2061"}],"collection":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/comments?post=2061"}],"version-history":[{"count":0,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts\/2061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/media\/2062"}],"wp:attachment":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/media?parent=2061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/categories?post=2061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/tags?post=2061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}