<\/p>\n
\u00centr-un sf\u00eer\u0219it de noiembrie pe care l-am l\u0103sat \u00eentr-o toamn\u0103 dezgoli\u0103 de frunze, \u00a0ne reg\u0103sim \u00een lumina unei frumoase anivers\u0103ri. Pe 19 noiembrie, cineastul Nicolae Ghibu a \u00eemplinuit 85 de ani. E mult peste biografia \u00a0cinematografiei moldovene\u0219ti, dar via\u021ba\u00a0 maestrului se suprapune totu\u0219i \u00a0\u0441u mult\u0103 fidelitate\u00a0 peste \u00a0cadrul \u00eentreg al acestei\u00a0 istorii.<\/p>\n
Prin filmele sale, prin multele filme aduse de el pe p\u00eenza alba a cinematografelor, a certificat pagini ale unei istorii de multe ori retras\u0103 doar \u00een manuale \u00a0\u0219colare sau \u00een\u00a0 texte\u00a0 \u00eeng\u0103lbenite prin academii. C\u00eend i s-au cerut descifr\u0103ri ale abord\u0103rii pe care o ar\u0103ta \u00een raport cu timpurile tr\u0103ite, a spus cit se poate de simplu: \u201dNu exist\u0103 \u021bar\u0103 f\u0103r\u0103 moral\u0103. Valoarea ei este determinat\u0103 \u0219i de oamenii de crea\u021bie. Noi servim statul, nu anumite persoane. Asta nu \u00eenseamn\u0103 c\u0103 eu s\u00eent sluga statului sau a unei persoane anume. Repet, fiind om de crea\u021bie eu servesc statul, oamenii. \u0218i nu e nimic ru\u0219inos \u00een asta.\u201d<\/p>\n
S-a n\u0103scut la 19 noiembrie 1936, \u00een satul Babele, jude\u021bul Ismail (azi Oziornoe, regiunea Odesa, Ucraina). \u0218i-a f\u0103cut studiile la Institutul Unional de Cinematografie, Sec\u021bia filmografie \u0219i scenarii din Moscova (\u0412\u0413\u0418\u041a, 1961-1966). A studiat la clasa profesorilor C. Paramonova \u0219i V. Ejova. Dup\u0103 absolvire a fost angajat la Comitetul de Cinematografie al Republicii Moldova, \u00een calitate de scenarist \u0219i redactor. \u00centre anii 1970-2009 a activat la Studioul \u201eMoldova- film\u201d, \u00een calitate de regizor \u0219i scenarist.<\/p>\n
Potrivit \u201dCalendarului Na\u021bional\u201d, debutul \u00een calitate de scenarist a avut loc \u00een 1965, la Studioul de filme din Odesa, cu filmul de scurt metraj \u201eFeti\u0219cana de pe remorcher\u201d. \u00cen 1971, \u00een colaborare cu so\u021bia sa, Zinaida Circova, a semnat scenariul pentru filmul de lung metraj \u201eOfi\u021ber \u00een rezerv\u0103\u201d, turnat la Studioul \u201eMoldova-film\u201d. Au urmat peste 45 de filme artistice \u0219i documentare, printre care: scenariu – \u201eCrest\u0103turi pe amintire\u201d (1972), \u201eR\u0103d\u0103cinile vie\u021bii\u201d (1977), \u201eOpera\u021bia codificat\u0103: Fulgerul de la miaz\u0103-zi\u201d (1980), \u201eJocul de-a moartea sau Str\u0103inul\u201d (1991); filme – \u201eSuit\u0103 de nunt\u0103\u201d (1977), \u201eNumele t\u0103u\u201d (1978), \u201eResponsabilitatea\u201d (1980), \u201eFra\u0163ii Moscalenco\u201d (1983), \u201eSalutare din 1937, 1949 s. a.\u201d (1988), \u201eCuceritorii Siberiei\u201d (1990), \u201eDragostea mea, Dun\u0103rea\u201d (2005) \u0219.a.<\/p>\n
Este autor de c\u0103r\u021bi \u0219i articole despre cinematografia moldoveneasc\u0103 \u201eGustul p\u00e2inii: \u00censemn\u0103ri despre film\u201d (1967), un volum de \u201eNoti\u021be despre filmul moldovenesc\u201d (1968) \u0219.a. Nicolae Ghibu a fost distins cu titlurile onorifice Maestru \u00een Art\u0103 (2002), Artist al Poporului \u0219i cu Ordinul \u201eGloria Muncii\u201d (2006).<\/p>\n
V\u00eersta pe care a \u00eemplinit-o recent e una plin\u0103 de admira\u021bie \u0219i de recuno\u0219tin\u021b\u0103. Da, ea cere de la noi ni\u0219te cuvinte, ni\u0219te mul\u021bumiri \u0219i\u2026 Dar florile cu care \u00eei mergem la u\u0219\u0103, nu le cere nimeni. Le lu\u0103m noi cu noi, a\u0219a, din\u00a0 obliga\u021biunea de a aduce mai mult\u0103 culoare \u00een cadru. C\u0103 merit\u0103.<\/p>\n
Uniunea Cinea\u0219tilor din Moldova<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" \u00centr-un sf\u00eer\u0219it de noiembrie pe care l-am l\u0103sat \u00eentr-o toamn\u0103 dezgoli\u0103 de frunze, \u00a0ne…<\/p>\n","protected":false},"author":2,"featured_media":2632,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,17],"tags":[],"featured_image_urls":{"full":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"thumbnail":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n-150x150.jpg",150,150,true],"medium":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n-300x197.jpg",300,197,true],"medium_large":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",640,421,false],"large":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",640,421,false],"1536x1536":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"2048x2048":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"covernews-slider-full":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"covernews-slider-center":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"covernews-featured":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n.jpg",760,500,false],"covernews-medium":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/saptamana.md\/wp-content\/uploads\/2021\/11\/ghibu-n-400x250.jpg",400,250,true]},"author_info":{"display_name":"SAPTAMANA.md","author_link":"https:\/\/saptamana.md\/index.php\/author\/saptamana-md\/"},"category_info":"Actualitate. Aici \u015fi acum<\/a> Omul s\u0103pt\u0103m\u00eenii<\/a>","tag_info":"Omul s\u0103pt\u0103m\u00eenii","comment_count":"0","_links":{"self":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts\/2631"}],"collection":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/comments?post=2631"}],"version-history":[{"count":0,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/posts\/2631\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/media\/2632"}],"wp:attachment":[{"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/media?parent=2631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/categories?post=2631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saptamana.md\/index.php\/wp-json\/wp\/v2\/tags?post=2631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}