<\/p>\n
\u00cen prima lun\u0103 de toamn\u0103, de obicei, au loc mai multe evenimente cultural-artistice, publicul fiind invitat \u00een s\u0103lile de concert,\u00a0 la teatru sau la vernisaje.\u00a0 De data aceasta, un interes aparte au trezit Festivalul Interna\u021bional al Interpre\u021bilor de Oper\u0103 \u201dMaria Bie\u0219u\u201d, Reuniunea Teatrelor rom\u00e2ne\u0219ti, dar \u0219i programul de la deschiderea stagiunii concertistice a Filarmonicii moldovene\u0219ti \u201dSerghei Lunchevici\u201d, despre care ne-am propus s\u0103 \u00eens\u0103il\u0103m c\u00e2teva r\u00e2nduri.<\/p>\n
\u2026A fost neobi\u0219nuit acel program. \u00centr-o sal\u0103 aproape ne\u00eenc\u0103p\u0103toare, \u00een Palatul Republicii,\u00a0 s-au c\u00e2ntat dou\u0103 crea\u021bii ale genialilor compozitori germani K.M. von Weber \u0219i F. Mendelssohn Bartholdy. Crea\u021bia celui din urm\u0103, Simfonia nr.2, \u00een si bemol major, denumit\u0103 \u201dLobgesang\u201d (\u201dC\u00e2ntare Imnului\u201d), interpretat\u0103 \u00a0\u00een premier\u0103 la Chi\u0219in\u0103u, a l\u0103sat publicul v\u0103dit surprins, \u00een primul r\u00e2nd, de excep\u021bional\u0103 citire a partiturii de c\u0103tre maestrul Mihai Agafi\u021ba, artist al poporului,\u00a0 pe care personal l-am aplaudat ca pe un director muzical de talie european\u0103, \u00een\u021beleg\u00e2nd c\u0103 orchestra bine pus\u0103 la punct, ansamblurile de mare precizie din interiorul s\u0103u sunt meritele \u00eenzestratului muzician. Cuvinte de admira\u021bie a\u0219\u00a0adresa fiec\u0103rui instrumentist aparte, care a contribuit \u00een ultim\u0103 instan\u021b\u0103 la nivelul l\u0103udabil al sun\u0103rii orchestrei \u00een general.<\/p>\n
Simfonia nr.2 de F. Mendelssohn Bartholdy e, de fapt, o Simfonie-Cantat\u0103, numerotat\u0103 ca num\u0103rul doi de biografii compozitorului,\u00a0\u00a0 dup\u0103 moartea autorului, lucrare scris\u0103 pentru orchestr\u0103, cor mixt \u0219i soli\u0219ti. \u0218i-au dat concursul sopranele Tatiana Costiuc, maestru \u00een arte, \u0219i Elena Demirgean, precum \u0219i tenorul Vadim Ceban. Experimentata \u0219i \u00eendr\u0103gita solist\u0103 a Filarmonicii noastre, Tatiana Costiuc, a fost, ca \u00eentotdeauna, la nivelul unei artiste de \u00eenalt\u0103 \u021binut\u0103, imprim\u00e2nd \u0219i de data aceasta \u00een textul pe care \u00eel pronun\u021ba accentul cuvenit, logica fraz\u0103rii \u0219i timbrul pl\u0103cut al vocii, partea forte a interpretei. Despre Elena Demirgean caietul de sal\u0103 noteaz\u0103: \u201d \u2026Este o t\u00e2n\u0103r\u0103 interpret\u0103, care bucur\u0103 cu vocea sa nu doar melomanii muzicii u\u0219oare, ci \u0219i pe cei ai muzicii clasice, astfel cuprinz\u00e2nd un public de diferite categorii de v\u00e2rst\u0103 \u0219i gusturi. Carisma \u0219i prezen\u021ba scenic\u0103 \u00eenc\u00e2nt\u0103 prin sinceritate \u0219i vitalitate, iar talentului s\u0103u i se al\u0103tur\u0103 o \u0219coal\u0103 solid\u0103 cum e Academia de Muzic\u0103, Teatru \u0219i Arte Plastice\u201d. (Elena Demirgean, ca \u0219i, de altfel, Tatiana Costiuc, sunt discipolele maestrului Mihail Muntean). Tenorul Vadim Ceban, participant la c\u00e2teva concursuri de canto academic, a reu\u0219it mul\u021bumitor \u00een misiunea ce \u0219i-a propus-o, vocea egal sun\u0103toare \u00een toate registrele ne \u00eendeamn\u0103 s\u0103 credem c\u0103 vom mai avea ocazii s\u0103 apreciem talentul t\u00e2n\u0103rului interpret. Un cuv\u00e2nt greu merit\u0103 capela coral\u0103 \u201dDoina\u201d, condus\u0103 \u00a0de Ilona Stepan, artist\u0103 a poporului, pe care o felicit\u0103m \u0219i pe aceast\u0103 cale cu ocazia decern\u0103rii Premiului Na\u021bional. Cori\u0219tii Filarmonicii noastre au contribuit din plin la excelenta execu\u021bie a capodoperei lui Mendelssohn pe un text biblic, perfectul ansamblu cu orchestra relief\u00e2nd culoarea armoniei din partitur\u0103.<\/p>\n
Crea\u021bia lui Weber a fost prezentat\u0103 prin Concertul nr.1 pentru clarinet \u0219i orchestr\u0103 \u00een fa minor. Solist a fost invitatul filarmonicii Dirk Altmann, din Germania. Interpret cu o bogat\u0103 experien\u021b\u0103 \u00een diverse orchestre simfonice de prestigiu (g\u0103sim \u00een CV \u0219i o colaborare cu marele dirijor Herbert von Karajan), D. Altmann a activat mai mul\u021bi ani \u00een Japonia, unde i s-a me\u0219terit un clarinet\u00a0 special, cu care evolueaz\u0103 pretutindeni. La Chi\u0219in\u0103u, a pl\u0103cut \u0219i a fost aplaudat. Cu unele p\u0103reri s-au \u00eemp\u0103rt\u0103\u0219it dup\u0103 concert speciali\u0219tii. Profesorul Simion Duja, unul dintre cei mai (dar poate cel mai) mari clarineti\u0219ti de azi, spre exemplu, apreciind \u00een linii mari meritele \u0219i talentul interpretului din Germania, e de p\u0103rere c\u0103 sunetul, de\u0219i frumos, e cam mic pentru clarinet, ceea ce nu face bine culorii generale a instrumentului. Cu toate acestea, dup\u0103 cum spuneam, clarinetistul german a l\u0103sat o impresie frumoas\u0103, crea\u021bia lui Weber fiind savurat\u0103 din plin de cei prezen\u021bi \u00een sal\u0103.<\/p>\n
S\u0103 sper\u0103m c\u0103 \u0219i pe parcursul actualei\u00a0 stagiuni concertistice a Filarmonicii moldovene\u0219ti \u201dSerghei Lunchevici\u201d vom avea prilejul s\u0103 fim prezen\u021bi la spectacole muzicale de \u00eenalt\u0103 clas\u0103.<\/p>\n
Aurelian D\u0102NIL\u0102<\/p>\n","protected":false},"excerpt":{"rendered":"
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